FAQ/Links/Vids

What is a Performing Rights Organization?

A Performing Rights Organization (or P.R.O.) helps songwriters and publishers get paid for the usage of their music by collecting one of the most important forms of publishing revenue: performance royalties.

As a songwriter, composer, or lyricist, you’re owed what is called a “performance royalty” any time your music is played on radio stations (terrestrial, satellite, and internet), used on TV shows or commercials, or performed in live venues.

Those performance royalties are paid by radio stations, venues, and TV networks to Performing Rights Organizations like ASCAPBMISESAC, and SOCAN (in Canada) who then distribute the money to their affiliated songwriters and publishers.

For a complete list of copyright collection societies worldwide, click HERE.

Performing Rights Organizations collect:

* performance royalties for publishers and songwriters

Performing Rights Organizations do NOT collect:

* mechanical royalties

* sync fees

* digital performance royalties associated with the creation of a master recording (paid by SoundExchange to labels, session players, etc.)

How can you make sure you’re getting paid ALL the publishing royalties you’re owed?

If you’re  affiliated with ASCAP or BMI, they’ll pay you performance royalties, but you’d be leaving your mechanical royalties on the table — since it is not their mandate to collect mechanicals.

Should I copyright my song?

Many professional songwriters don’t copyright songs until they begin earning income. The reason is both cost and time involved.  Non-professionals often copyright their songs due to fear of infringement (their songs being stolen). Again, this can be expensive, but if it makes you feel comfortable, you can always exercise that option by visiting www.copyright.gov.

How do I get my songs published?

Getting your songs published through a successful publishing company is a process; a series of steps that requires knowledge and preparation. Focus on writing the best songs you can, getting better at your craft, learn all you can about the music business, and plug yourself into the songwriting and music industry community. Due to legal issues, publishers cannot take unsolicited material, material from someone they don’t know or that they didn’t request. Publishers do have their own staff writers and the only other sources that they will take songs from are known or legitimate sources like. The first steps simplified would be to: 1) Join ISSA 2) Join one of the performing rights organizations (ASCAP/BMI/SESAC) 3) Invest in music business books that deal with publishing to get acquainted with how it works. Publishers will require complete songs (words and music). Make certain that when you get an opportunity to play your song for a publisher, your song is complete and competitive in the marketplace.

Radio Stations want MP3s that are meta-tagged, what is that?

Metatagging is a process that takes your MP3 and applies the proper data detail, like the title, artwork and genre information. Please refer to our ISSA Facebook group announcements for Jon KT Lindley’s video on how to metatag your MP3 for radio.

 

Helpful Articles Links:

BANDZOOGLE

CD BABY

DISTRO KID

HOW TO WRITE AN EFFECTIVE MUSICIAN BIO

ITUNES STORE MUSIC STYLE GUIDE 2.0

MICHAL TOWBER, EMMY WINNER’S SINGING TIPS

MUSICREGISTRY.COM

PODCASTS FOR THE WORKING CLASS MUSICIAN

PUBLISHING FOR SONGWRITERS: Best Article Ever

SHOULD MY MUSICIAN GET SONGWRITING CREDIT?

SINGERS GUIDE: DIAPHRAMATIC BREATHING

SOUNDFLY: 5 WAYS TO GET YOUR MUSIC DISCOVERED

THE DO’S AND DONT’S OF PITCHING YOUR SONGS

TRADEMARK, PATENT OR COPYRIGHT?

WHAT DOES EP and LP STAND FOR?

WHAT MAKES A GREAT SONG?

WHAT’S THE DIFFERENCE BETWEEN A SONGWRITER, AND A TOPLINE WRITER?

WHY IS A PUBLISHING DEAL VALUABLE FOR A SONGWRITER?

YOUTUBE / VEVO DIFFERENCES